comic-con Comics Conventions Games Indie Comics Interviews Local comics PRCC puerto rico Puerto Rico Comic Con Puerto Rico Convention Center Ricardo Carrion Top News

Interview: Puerto Rico Comic Con showrunner Ricardo Carrión on crafting the event’s “criollo” identity

Interview: Puerto Rico Comic Con showrunner Ricardo Carrión on crafting the event’s “criollo” identity

Puerto Rico Comedian Con marks its 17th yr of geek tradition celebration this coming weekend, on Might 17-19 on the Puerto Rico Conference Middle. The conference has turn out to be a commanding voice in all issues comics, cosplay, gaming, and leisure within the Caribbean, regardless of Puerto Rico’s difficult financial historical past and the pressure it has placed on its comedian e-book outlets. This final level is necessary. Crafting something comics- or pop culture-related within the island is especially troublesome, principally given to the political and even geographical maneuverings required to make sure every of the con’s shifting elements are working accordingly.

One among PRCC’s most up-to-date challenges got here with the passing of Hurricane María in 2017, which threatened to briefly halt the occasion because of the ensuing chaos that surrounded journey and merchandise distribution because of a really sluggish and really conflictive island-wide restoration course of. And but, PRCC confirmed up with a powerful visitor record that included Gail Simone, Jim Starlin, John Barrowman, Juliana Harkvay, and Casey Cott. In different phrases, this conference is aware of tips on how to survive.

This yr’s displaying accommodates a wide-ranging listing of business names that mirror Puerto Rico’s personal sort of fandom. Deadpool 2’s Zazie Beetz shall be on the conference together with Dan Dad or mum of Archie Comics, WWE celebrity Bray Wyatt, voice actors Lucie Pohl and John DiMaggio, cosplayer Yaya Han, and Younger Grownup writers Becky Albertalli and Kendare Blake.

Puerto Rico Comedian Con’s earlier years’ visitor lists comply with the identical go well with, with a concentrated group of artists, creators, and entertainers that diversify the present flooring with out overwhelming con-goers with the shock and awe strategy the larger cons are likely to go for (as is the case with NYCC and SDCC).

Maybe probably the most compelling points of PRCC is its id, which is closely influenced by American tradition because of the island’s political relationship with america (Puerto Rico has been an American territory since 1898), however it additionally carries a wholesome does of Manga and Anime tradition which arrived within the type of Spanish-translated collection and films.

Comics, then again, have been provided in each Spanish and English variations, with English being the predominant language. Marvel and DC dominated the Puerto Rican comics market, however the rise of Darkish Horse and Picture in the course of the late-80s and 90s acquired to develop its personal viewers. PRCC displays this because the present’s comedian distributors carry complete collections of basic Marvel and DC storylines on the market, with George Pérez and Jim Lee comics among the many most wanted. Strolling the conference flooring turns into a type of historical past of comedian e-book tendencies within the Puerto Rican market.

The con’s most up-to-date editions have began doing a greater job of giving Puerto Rican artists and creators extra of a presence, though the indie scene itself owes lots to artwork festivals akin to Tintero for giving native expertise a extra highly effective voice. PRCC has been a gentle ally on this regard by establishing an area that exposes native creators to a wider viewers.

The Beat had an opportunity to speak to PRCC’s government producer Ricardo Carrión, by way of telephone, on the present state of the conference and its id as huge modifications appear to be within the playing cards for the very close to future. The interview follows under.


Ricardo Serrano: Let’s begin with origin tales. What led to Puerto Rico Comedian Con because it stands at this time?

Ricardo Carrión: The conference has been round for 17 years. It began as two pals going to a conference solely to seek out some 5 or 6 distributors current and never a lot else. From there we determined that folks deserved extra, a greater type of occasion. We began at a YMCA with a Star Wars-focused occasion which went for a couple of years as such. As soon as the Puerto Rico Conference Middle opened in San Juan we moved our occasion there and introduced it because the Pop Tradition Expo, which included comics into the nonetheless Star Wars-heavy present. In 2009 we modify the occasion’s identify to Puerto Rico Comedian Con and choose the format that we largely comply with to this present day.

Serrano: I keep in mind going to a number of exhibits again once I lived in PR and seeing the conference rising in each scope and measurement. I began noticing greater comedian guide and leisure names have been making an look, corresponding to Jason Momoa, wrestler Kevin Nash, Scott Snyder, John Romita, Jr., and Eric Powell, to call a couple of. When did the conference begin gathering a much bigger, extra spectacular visitor record?

Carrión: Properly, it was robust early on getting meets with reserving brokers and such, however as soon as we began bringing extra friends in, the conference began getting extra acknowledged and we have been seen as a critical group trying to placed on a top quality expertise for followers. I imply, we just lately discovered that in some instances PRCC is extra widely known in america than in Puerto Rico. Lots has to do with the market and the conference tradition within the States. That’s already absolutely shaped there. We’re making our personal conference tradition right here. We’re “criollizando” or adapting the American mannequin to our actuality.

I feel we began getting much more recognition in 2011. We observed individuals needed to speak to us instantly after we stated we have been from Puerto Rico Comedian Con, particularly once we travelled to the States.

Serrano: Puerto Rico’s historical past with comedian e-book outlets is sort of difficult, to say the least. It’s been a wrestle for a lot of of them to remain in enterprise and we’ve had shortly rotating time durations outlined by brick and mortar outlets closing and opening and shutting once more. Having stated that, PRCC has a comic book guide presence and other people actively search comedian distributors on the present flooring. How has the comics scene manifested itself within the conference?

Carrión: There are a number of branches inside the comics group right here in PR. We’ve seen the indie scene rise fairly quickly as of late and shops have responded in several methods, making selections based mostly on their reader base. We had a retailer ourselves as soon as, and although it labored, in the long run it turned out to be rather more difficult a venture than initially thought. It ran for nearly two years after which we determined to regroup and refocus, which led to us closing operations. Actually, my respect to all those that nonetheless have brick and mortar outlets. Maintaining them up and operating is tough.

I used to be speaking to the blokes at Cultura Secuencial, a Puerto Rican podcast about comics and leisure, and I keep in mind saying that the comics scene right here has actually grown into one thing particular. There are new artists, new creators that both play with the basic comedian ebook format or step out of it to create their very own codecs. There are creators on the market which might be actually difficult the comics web page and that’s essential community-wise.

When it comes to shops, we’ve seen a heavy lower on account of on-line shops digging into bodily copy gross sales. I do know of individuals right here that get their comics by means of Midtown Comics’ on-line retailer. Manga is huge and it attracts followers on the lookout for that bodily copy they should spherical out their collections. Our conference does nicely in his regard. What’s true is that Puerto Ricans like studying comics and I’ve seen a extra concerted effort at preserving the comics scene alive.

Serrano: Do you assume there’s a specific group or viewers that you simply really feel makes up the majority of con-goers at PRCC? Is it right down to cosplayers or comedian guide collectors? Or is it extra the overall viewers sustaining the conference?

Carrión: What we’ve observed first is that our viewers is turning into youthful. At first we have been taking a look at adults as our main market, within the 30-40 yr demographic. In recent times, although, we’ve seen cosplayers displaying up in bigger numbers together with new collectors. I divide these collectors in two classes: those that search for basic runs and old skool stuff after which you’ve newcomers which might be in search of Funkos and Legos. Online game followers have additionally been on the rise. I might say we have now a type of melting pot with our followers. The market requires that freedom. I imply, Younger Grownup readers are coming in massive, and so we’ve got to adapt and make the occasion reply to them as properly.

Serrano: Coming again to one thing you talked about earlier, about tailoring the conference to the Puerto Rican expertise. The phrase you used was “criollizando,” which suggests to make it our personal, to make it Puerto Rican. How has PRCC completed this, you are feeling?

Carrión: In response to our visitors—this not us saying it however our friends saying it—PRCC is probably the most enjoyable had in a comics conference. Simply attending to the island and taking within the sights and the tradition makes the conference all of the extra enjoyable as a result of we convey that tradition into the present flooring. There are individuals dancing throughout, sponsors who virtually DJ from their cubicles and appeal to individuals to them with music. I imply, us Puerto Ricans love enjoyable, we like to celebration, and that needs to be current. Sponsors someday develop their very own mini-concerts with their very own itineraries and bands. And that’s all them. They’ve the area to do it and we encourage that.

And that stretches to the Artists’ Alley. We would like native expertise, we need to help Puerto Rico’s comedian scene and provides voice to homegrown voices. That’s our dedication to the Puerto Rican comics group.

Serrano: What’s subsequent for PRCC? Is there one thing you have already got in your sights for the 2020 version?

Carrión: One of many issues we’re taking a look at is increasing the Artists’ Alley, getting in additional artists and extra creators in order that they’ve an opportunity to point out their work. We’ve already began engaged on this for 2020. One in every of our largest focus factors proper now’s deliver PRCC to the worldwide market. We need to set up ourselves as one of many largest and most necessary business occasions within the conference scene. We’re speaking each in Puerto Rico and within the States. We need to be seen as an essential cease for the varied industries represented within the conference. One that may compete with the perfect of them. I would like us to be in that roster.

Serrano: Thanks!

Carrión: Thanks!